Today Sony announced three new products that will mostly appeal to the video user: the A7C II, A7CR, and 16-35mm f/2.8GM II.
Let me explain. The C bodies are slimmed down Alpha bodies with an offset EVF, and which have an emphasis on video/vlogging use over still photography use. They can still be used as still cameras, but in the case of the A7C II, it's basically the A7 Mark IV in the C video style body, while the A7CR is basically the A7R Mark V in the same body. BIONZ XR with artificial intelligence powers these bodies, too.
As video-oriented cameras, they have a reduced dot count EVF (and Rear LCD in the case of the A7CR). These cameras are smaller and lighter to be more gimbal friendly, and the new C body is somewhat thicker, probably for heat dissipation. Because the two bodies max out at 4K60P, another compromise is the single SD UHS II card slot (though you need a very fast card to take advantage of the maximum video capabilities).
I'm not a big fan of offset viewfinder cameras, and you can see why in Sony's own launch video: with the cameras handheld at their eyes, their models are having a more difficult time keeping the camera steady ;~). Good thing the built-in stabilization can perform up to 7 stops (with certain lenses). Generally, I'd tend to recommend the original A7 style body for still photography, but the A7CR is only US$3000, a significant discount for 61mp (including 240mp pixel shift) if you can live with the penalties.
You see the continued video emphasis with the update to the 16-35mm f/2.8GM lens, too. The lens has gotten smaller, lighter, and been reworked so that it doesn't change balance when on a gimbal. That took an impressive array of special elements (8 of the 15) and four XD focus motors.